Eliot's most crucial years, both in his private and public life. Would you like to visit Booko Finland? You can change region by clicking the flag in the toolbar. Sign in. My lists My alerts. Please select your preferred region. The Letters of T. Eliot Volume 4: Unknown author.
Twitter icon Facebook icon Pinterest icon. Of course, Eliot was only doing what editors do, stirring up controversy. If he could dish it out, then he could also take it.
His reaction to a savage review of For Lancelot Andrewes by an old friend, Conrad Aiken — "you may be right" — is astonishingly mild. Aiken being right would mean Eliot showing a "thin and vinegarish hostility towards the modern world" and sounding a note of "withered dogmatism". Yet there seems nothing forced about the response.forum2.quizizz.com/paraguay-atrocidad-atasco-auge-y-la-reinvencin.php
The Letters of T. S. Eliot Volume 4: (Letters of T. S. Eliot). | eBay
Being savaged seems to put a spring in his step, to judge by the jaunty tone of the rest of the letter: "No, these are not dull subjects: Theology, Bridge and Detective Fiction are not dull. Discrepancy between private and Criterion opinion is sometimes instructive. Eliot expressed private regret "it is a great loss" on the death of Hugo von Hofmannsthal, who had been a contributor, but there is something jarring about writing in the magazine: "Of your charity pray for the soul of Hugo von Hofmannsthal…" If this is a religious publication, why single out a particular soul for prayer?
If a cultural one, why the concern with a soul rather than a life's work?
The Letters of T. S. Eliot Volume 4: 1928-1929
Writing to his mother, Eliot objected: "Why not divide him joint from joint, and spot him about the country? I think that if one is buried at all one should decently be buried all in one place. Perverse not only because Hardy was no Catholic but because relics are displayed rather than buried. But perhaps Eliot thought it politic to emphasise aspects of Roman belief that repelled him. The oddest feature of the book is the way Vivienne Eliot's letters to friends cut across the rest.
Strictly speaking, they don't belong here, being neither to nor from Eliot, but in their absence there would be no discussion of a marriage in the process of disintegration. Vivienne Eliot is, if not the elephant in the room of biographical studies about her husband, then certainly the parrot whose cage is routinely covered with a cloth. After Michael Hastings 's play, Tom and Viv , the second wife, the late Valerie Eliot , claimed the copyright of all Vivienne's papers, a questionable legal manoeuvre and a remarkable assertion of control.
From then on, hers was the hand that sometimes chose to raise the cloth. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion , even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital T.
The Letters Of T S Eliot Volume 4 1928 1929 Eliot Valerie
He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion , even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Get A Copy. Hardcover , pages. More Details Eliot 4. Other Editions 2. Friend Reviews.
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Aug 16, Sam Schulman rated it liked it Shelves: catholicism , christian-theology , literary-history. The Waste Land of Every Reader.
The Letters of TS Eliot: Volume 4: 1928-1929 ed by Valerie Eliot and John Haffenden: review
Reading this book has one reward - that plodding through its mostly businesslike letters, punctuated by occasional moments of candor when he reveals himself, is a grim business, but offers a way to become TS Eliot, in the way that Pierre Menard became Cervantes. Otherwise, prepare to don a hairshirt when you open this book, which begins after Lady Rothermere has withdrawn her capital from the Criterion.
First comes letter after letter explaining why the magazine has been suspended, then letter after letter begging for funds to keep the monthly publshing as a quarterly, then letter after letter asking for articles, explaining delays in printing articles, refusing articles. You have to work just as hard, and just as commercially, as in any other business, and this business somehow has an odious connexion with your intellectual interests which befouls them.
His wife is released, perhaps too early, from a Paris pychiatric hospital, and her unhappiness causes them to move three times in a single year: "Stupidly, I let Tom choose the flat. It is hideous. And the noise. Bang bang bang They are not identical. Richards and A. Rowse, the reader feels so happy - particularly because the editor quotes generously from all the letters to which TSE letters respond, and Richards is a wonderful man.
But they are infrequent. For the most part, Eliot writes in the same tone to a woman who applies for a non-existent secretarial job as he does to the Archbishop of York to her he says, although he can't possibly hire her because the magazine is still losing money, the desire of such a well qualified person [she was the secretary of the Headmistress of Roedean!